You will be pleased to hear that we now have the drafts
from our five research/authors and the material is comprehensive and rich. It
has been a privilege to read it all and it is wonderful raw material for the
next stages of the project.
I would like to say a big thank you to the writers and the
reference groups from each area for their feedback.
Over the last few months I have been asked by many people
what this particular part of the project is about and simply put - imagine it
like this:
Imagine you visit a“place” either made by humans or by nature. You can appreciate it for itself and your
appreciation is based on your own knowledge. Your own knowledge is gained for example through
experience, education, training, level of initiation, level of imagination or belief. Every individual has their own lens
through which they see things and the depth of seeing or understanding determines their interpretation reflected in the stories they tell about it.
Your stories are what informs us about what you are seeing or have seen.
Now imagine that you
are visiting a place with someone else who has a different way of seeing. They
know the landscape with a completely different set of “knowings” and as a
result guide and enrich your knowledge and experience by the stories they tell.
It could be a geologist, an experienced bush walker, an artist, a marine
biologist, a conservations or a developer, dreamer, magician or a con man.
The material we have
researched and developed in this part of the project can be seen as different
layers of knowledge or ways of seeing aspects of the Sapphire Coast as part of
Australia’s Coastal Wilderness. That is the layers of stories that weave their way
through and underpin the landscape of our key heritage stories - The Meeting of the Waters, In the Shadow of
the Mountains, The Killers of Eden, The Bundian Way and Naturally Inspired
The next step in this process is to develop and identify the
tools and techniques to make this information accessible to our visitors and stimulate them to explore more
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